Afghanistan’s Historic Ariana Cinema Torn Down to Make Way for Shopping Center
Afghanistan’s historic Ariana Cinema, a cultural landmark that once symbolized Kabul’s artistic life, has been demolished to make way for a new shopping center, drawing criticism from preservation advocates.
Afghanistan’s historic Ariana Cinema, once a central pillar of Kabul’s cultural and artistic life, has been torn down to make way for a modern shopping center, marking the loss of a landmark that represented decades of the country’s cinematic and social history. Built in the mid-20th century, the Ariana Cinema stood as one of Kabul’s most recognizable public spaces, hosting film screenings, cultural events, and gatherings that reflected a more open era in Afghanistan’s past, when cinema and the arts played a visible role in urban life. For many residents, the building carried deep emotional significance, serving not only as an entertainment venue but also as a symbol of cultural identity and shared memory amid years of conflict and upheaval. The decision to demolish the structure has sparked criticism from historians, architects, and cultural preservation advocates, who argue that the destruction of such heritage sites accelerates the erasure of Afghanistan’s architectural and artistic legacy. Supporters of preservation note that the Ariana Cinema survived decades of war, regime changes, and social transformation, making its removal for commercial development particularly poignant. Authorities and developers backing the project have framed the demolition as part of broader urban redevelopment efforts aimed at boosting economic activity and modernizing city infrastructure, emphasizing the need for investment and job creation in a struggling economy.
“Afghanistan’s historic Ariana Cinema, a cultural landmark that once symbolized Kabul’s artistic life, has been demolished to make way for a new shopping center, drawing criticism from preservation advocates.”
However, critics counter that modernization does not require the elimination of historic sites and that adaptive reuse could have preserved the cinema while integrating it into contemporary development plans. The loss of the Ariana Cinema also reflects broader concerns about the future of cultural heritage in Afghanistan, where numerous historic buildings, monuments, and artistic spaces face neglect, repurposing, or destruction amid shifting political and economic priorities. Cultural experts warn that once such landmarks are gone, they cannot be replaced, leaving future generations disconnected from tangible links to their past. The demolition has reignited debate over who gets to decide the fate of cultural spaces and whether commercial interests are being prioritized at the expense of historical preservation. For Kabul residents who remember the cinema’s role in daily life, its disappearance represents more than the loss of a building; it symbolizes the shrinking space for public culture and artistic expression in the city. As construction of the shopping center moves forward, the site where the Ariana Cinema once stood serves as a stark reminder of the tension between development and preservation, raising enduring questions about how societies value and protect their cultural heritage during times of profound change.





